DIMI CONIDAS is a mixing and mastering engineer manufacturing a big, deep and realistic sound. Check out my work and some of the artists I’ve collaborated with.
The studio is the outcome of years of innovation and refinement that connects the best of both digital and analog.
It all starts with a pristine listening environment.
The acoustic design incorporates an extended frequency response with remarkable clarity, a deep sense of space and a three-dimensional timbre.
The monitoring system is provided by authentic ATC monitors coupled with a well balanced DA converter.
At the core is a mixing and mastering suite featuring a Rupert Neve 5059 Analogue Summing Mixer and a Maselec MTC-1X Mastering Transfer Console. A selection of the best vintage and modern analogue equipment and a wide variety of up-to-date digital tools complete the sonic setup.
Yet the right gear shouldn’t come at the cost of simplicity: the processing chain is clear and direct to guarantee transparency and musicality.
A pure signal flow is optimised by isolated clean power sources and superior customised wiring.
- RUPERT NEVE 5059
- MASELEC MTC-1X
- ATC SCM 50 ASL
- ACOUSENCE ARFI-DAC2
- ACOUSENCE ARFI-ADC2
- MYTEK 8X192
- RME HDSPE AES
- API 525
- API 2500
- CHANDLER RS124
- DW FEARN VT-7
- RETRO INSTRUMENTS 176
- VACUVOX U23M
- API 550A
- ELECTRODYNE 511
- GYRAF G23 S
- HERITAGE AUDIO 6673
- KNIF SOMA
- MASELEC MEA-2
Interconnects | Digital | Power cables
- Grimm TPR
- Jorma Design
- Kimber Kable
My working style is all about collaboration. My aim is make your sound the best it can be.
I believe that music shouldn’t just be something that you hear.
It should be something that you feel.
All my equipment is the best available: hand-picked, modified to my needs, and tested to perfection.
Let’s get in touch.